Monthly Archive for August, 2005

“Stage Fright” (1950)

Still from Stage Fright

Watched yet another Hitchcock movie, “Stage Fright,” a story about a girl trying to save a man from an unjust murder wrap. The man is obsessed with a star of the stage who appears to just be using him as a scapegoat.

This film was memorable for a few of its minor characters, such as Commodore Gill, played by Alastair Sim, a great old character actor.

The film has a wonderful twist at the end, although it makes the preceding hour and a half feel kind of like a lie. But Hitchcock always was best at turning any story on its head. And I like that.

“Cold Mountain” by Charles Frazier

Cold Mountain : A Novel (Vintage Contemporaries)

Much like Ada Monroe picked at “Adam Bede” like a child picks at food on a dinner plate, I picked through “Cold Mountain” over a period of about six months. I was still in school when I started it, so there was much reading to be done on various subjects, from Archeology to Vietnam war history. I also read The Lord of the Rings trilogy during a break from reading “Cold Mountain.” I also read “Diary” by Chuck Palahniuk. But, tonight I finally finished Charles Frazier’s take on the Odyssey.

It wasn’t that the book bored me. It didn’t. Perhaps it had something to do with having seen the film adaptation already, but I don’t think it was that, either. I think the book was just slow, and demanded a slow read. The events in the book unfold as events in life often do, without identifiable pattern and without concern for the subject of the event. I enjoyed the book thoroughly, and found it to be an especially enjoyable period piece. Frazier uses even the language of the seceded South (or at least, what we accept to be the language of said period and place) to evoke a landscape and culture entirely believable and yet gritty with drama.

I don’t have much else to say about it, other than that I’d like to include a few passages which I found particularly poignant:

She (Ada) marked her place with a yarrow stem and closed the book and set it in her lap. She wondered if literature might lose some of its interest when she reached an age or state of mind where her life was set on such a sure course that the things she read might stop seeming so powerfully like alternate directions for her being.

This sadly struck a chord with me because I do take what I read to heart, and often try to apply morals and wisdom contained in books to my own life. Will fantastic worlds no longer hold their appeal as more and more of the life I fantasized about slips behind me? Eh, maybe. See, I even took this passage to heart.

He (Inman) talked to her of the great waste of years between then and now. A long time gone. And it was pointless, he said, to think how those years could have been put to better use, for he could hardly have put them to worse.

Not that I nor Frazier was there, but I can imagine that the average Southerner might have felt along these lines after a couple of years of warring for the rich man’s right to own slaves. I know that’s not what it was entirely about, and most Southerner’s held no love for the Federals, but I must assume that many questioned what they were fighting for on the bloody battlefields of the Civil War.

They (Ada and Inman) were both at such an age that they stood on a cusp. They could think in one part of their minds that their whole lives stretched out before them without boundary or limit. At the same time another part guessed that youth was about over for them and what lay ahead was another country entirely, wherein the possibilities narrowed down moment by moment.

Now there’s a passage I can relate to. I had never really thought of it that way before, but youth is practically over for me. I mean, sure, I’ll still experience bouts of youthfulness on and off over the next 5-to-10 years, but never again will I have the boundless confidence of youth I once possessed. Not that loss of youth is the end of the world, but it’s definitely a cusp.

What am I saying, I’m 22. Not exactly an old man. But a lot has changed in the last 22 years…

Assigning names to inanimate objects

Following the lead of this interesting thread, I decided to reveal the following information: Namely, what I, as a complete dork, name my various gadgets and technologies. So, in an act of total redundancy, behold the list:

  • Old XP box (i only mention this for the next entry): Euclid
  • Virtual PC system on 12″ PB: Ghost of Euclid
  • 12″ PB: Melange
  • 15 GB 3G iPod: Mua’Dib
  • Airport network: The Spice
  • 250 GB Ex HD: RedBook (of the Westmarch)
  • G4 Cube (Michelle’s machine): Yeats
  • iTunes shared library: Hunter

Yes, I thought carefully about each one. No, I don’t really refer to them by their given names all that often. More often than not, it’s just: “Hey, you, computer!”

Now, let’s see if you can identify the source of each of these names!

“His Girl Friday” at archive.org

Cantankerous

I noticed that “His Girl Friday” is available for download at archive.org because it has entered the public domain. Others are available, including a few great old sci-fi movies.

But “His Girl Friday” is one of my favorite movies about the newspaper business, right up there with “Citizen Kane.”

If you have a free afternoon, start downloading this before you go to work, and then watch it during your free afternoon. The video and sound quality are excellent, and the movie is enjoyable even today. Just be prepared to pay attention.

More Hitchcock

Still from Suspicion

Is Cary Grant going to kill you?

Michelle and I have been on a Hitchcock movie kick lately. (We have no money. The library has tons of them on DVD.) Plus I found this great website that has tons of stills from his films, and I’ve been pilfering them lately.

“Suspicion” started out as a romantic comedy of sorts and gradually turned into a psychological thriller. (Go figure.) Cary Grant’s wife suspects that he may be a dirty bastard who has killed friends and relatives to get money. In the end, it seems Grant is a liar, a cheat, a thief and a gambler, but he’s not a murderer. The ending isn’t specific, but that’s how it seems.

“The Wrong Man,” starring Henry Fonda, was based on a true story about a man who nearly went to jail in a case of mistaken identity. What I felt the movie really did was give an impression of what it’s like to go through the penal system in the ’40s or ’50s as an unfamiliar — and undeserving — person of interest. (And before all that Miranda stuff.) Overall it’s a good movie with a happy ending.

The more I watch Hitchcock movies the more I wish there were more directors like him now. He manages to make slow, lumbering movies that are somehow perfectly paced and interesting. He really knew how to make you want to know what was coming next. It’s not easy to say that about movies these days, because too often it seems we can predict the ending of any summer blockbuster by about 1/3 of the way through it.